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  • Format: ePub

The author wanders between the pages of his book between the schools of modern art in the world. He discusses the Florentine, Italian, Egyptian, Dutch, Spanish and other schools. For example, he confirms that Byzantine painting remained until about the year 1300 AD in the Italian city of Florence, and the images of this style are only two-dimensional, because the artists did not try to depict people realistically, and devoted themselves to depicting Christ, the Virgin, the saints, or sometimes the emperors in terrifying forms far from life, and then a development occurred. In people's…mehr

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Produktbeschreibung
The author wanders between the pages of his book between the schools of modern art in the world. He discusses the Florentine, Italian, Egyptian, Dutch, Spanish and other schools. For example, he confirms that Byzantine painting remained until about the year 1300 AD in the Italian city of Florence, and the images of this style are only two-dimensional, because the artists did not try to depict people realistically, and devoted themselves to depicting Christ, the Virgin, the saints, or sometimes the emperors in terrifying forms far from life, and then a development occurred. In people's thoughts, they began to notice that Jesus Christ, the Virgin Mary, and the saints are not frowning people as they appear in those pictures, because they are human beings with their own human beauty. This idea continued to preoccupy them without any artist daring to break these artistic traditions by discovering a way to change the image of the Virgin and the Christ Child from a terrible form to a human form characterized by tenderness and beauty.

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