Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.
Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.
Matthew C. Farmer is Assistant Professor in the Department of Classical Studies at the University of Missouri.
Inhaltsangabe
Acknowledgments Note to the Reader Introduction Part OneThe Fragments of Greek Comedy Chapter One Electra and the Coal Pan: Tragic Culture in the Comic Fragments Chapter Two Give Me a Bit of Paratragedy: Tragic Parody in the Comic Fragments Part Two Aristophanes Chapter Three The Man Is Obsessed with Song: A Contest of Genres in Wasps Chapter Four Euripides in the Echo Chamber: Poets and their Poetry in Women at the Thesmophoria Chapter Five Writing Beyond Genres: The Dionysiac Festival in Gerytades and Wealth Conclusion Bibliography Index Locorum General Index
Acknowledgments Note to the Reader Introduction Part OneThe Fragments of Greek Comedy Chapter One Electra and the Coal Pan: Tragic Culture in the Comic Fragments Chapter Two Give Me a Bit of Paratragedy: Tragic Parody in the Comic Fragments Part Two Aristophanes Chapter Three The Man Is Obsessed with Song: A Contest of Genres in Wasps Chapter Four Euripides in the Echo Chamber: Poets and their Poetry in Women at the Thesmophoria Chapter Five Writing Beyond Genres: The Dionysiac Festival in Gerytades and Wealth Conclusion Bibliography Index Locorum General Index
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