Brokering Culture radically recontextualizes conventional views of the relationship between the British Empire and the emergence of the nineteenth-century historical novel. The book focuses on how literary translations of eighteenth-century experiences of empire established the genre as a site of critique for nationalism and historical progress.
Brokering Culture radically recontextualizes conventional views of the relationship between the British Empire and the emergence of the nineteenth-century historical novel. The book focuses on how literary translations of eighteenth-century experiences of empire established the genre as a site of critique for nationalism and historical progress.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: When We "empired in the empire": The Problem of Narrating Imperial Time and Place in an Imperial Time and Place Chapter One: "A little false geography": Edmund Burke as Edward Waverley Chapter Two: "The empire of the father continues even after his death": Edgar Huntly, James Annesley, and the Eighteenth-Century Orphan Redemptioner Narrative Chapter Three: Still "under Sir William": Locum Tenens, Cooper's Leatherstocking, and the Tragic View of the American Revolution Chapter Four: "Revolution is a work of blood": Nationalism, Horror, and Mercantile Empire in Frederick Marryat's The Phantom Ship Chapter Five: "Buried in their strange decay": Lost Letters, Lost Races, and Imperial (Mis)translations Chapter Six: "Just as Government's a mere matter of form": Blackwood's Edinburgh Magazine, Imperial Romanticism, and the Art of "Personation" Chapter Seven: Coda: "And to show us your books": Kipling's Peachey Taliaferro Carnehan as "Romance-Monger" and Reader
Introduction: When We "empired in the empire": The Problem of Narrating Imperial Time and Place in an Imperial Time and Place Chapter One: "A little false geography": Edmund Burke as Edward Waverley Chapter Two: "The empire of the father continues even after his death": Edgar Huntly, James Annesley, and the Eighteenth-Century Orphan Redemptioner Narrative Chapter Three: Still "under Sir William": Locum Tenens, Cooper's Leatherstocking, and the Tragic View of the American Revolution Chapter Four: "Revolution is a work of blood": Nationalism, Horror, and Mercantile Empire in Frederick Marryat's The Phantom Ship Chapter Five: "Buried in their strange decay": Lost Letters, Lost Races, and Imperial (Mis)translations Chapter Six: "Just as Government's a mere matter of form": Blackwood's Edinburgh Magazine, Imperial Romanticism, and the Art of "Personation" Chapter Seven: Coda: "And to show us your books": Kipling's Peachey Taliaferro Carnehan as "Romance-Monger" and Reader
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