Die Autorin erläutert anhand von Hindemiths Balletten Nobilissima Visione (1938) und Der Kinderkreuzzug (1939) sowie späteren, nur skizzierten Projekten Hindemiths konzeptuelle Strategien zwischen szenischem Entwurf und kompositorischer Ausgestaltung.
Die Autorin erläutert anhand von Hindemiths Balletten Nobilissima Visione (1938) und Der Kinderkreuzzug (1939) sowie späteren, nur skizzierten Projekten Hindemiths konzeptuelle Strategien zwischen szenischem Entwurf und kompositorischer Ausgestaltung.
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Inhaltsangabe
Acknowledgments - Introduction - PART ONE: Nobilissima Visione (1938) - 1 The Beginnings - 2 The Scenario Drafts - 3 The Nobilissima Visione Music Sketches: a View into Hindemith's Creative Process - 4 Preparations and Performances - PART TWO: Der Kinderkreuzzug (1939) and the Later Ballet Scenarios: Defining the Visualized Dance and Expressive Gestures in Hindemith's Ballet Works from the 1930s - 1 Der Kinderkreuzzug (1939) - 2. The Composer and His Dance - Conclusions - Research Perspectives - ReferencesAcknowledgments - Introduction - PART ONE: Nobilissima Visione (1938) - 1 The Beginnings - 2 The Scenario Drafts - 3 The Nobilissima Visione Music Sketches: a View into Hindemith's Creative Process - 4 Preparations and Performances - PART TWO: Der Kinderkreuzzug (1939) and the Later Ballet Scenarios: Defining the Visualized Dance and Expressive Gestures in Hindemith's Ballet Works from the 1930s - 1 Der Kinderkreuzzug (1939) - 2. The Composer and His Dance - Conclusions - Research Perspectives - References
Acknowledgments - Introduction - PART ONE: Nobilissima Visione (1938) - 1 The Beginnings - 2 The Scenario Drafts - 3 The Nobilissima Visione Music Sketches: a View into Hindemith's Creative Process - 4 Preparations and Performances - PART TWO: Der Kinderkreuzzug (1939) and the Later Ballet Scenarios: Defining the Visualized Dance and Expressive Gestures in Hindemith's Ballet Works from the 1930s - 1 Der Kinderkreuzzug (1939) - 2. The Composer and His Dance - Conclusions - Research Perspectives - ReferencesAcknowledgments - Introduction - PART ONE: Nobilissima Visione (1938) - 1 The Beginnings - 2 The Scenario Drafts - 3 The Nobilissima Visione Music Sketches: a View into Hindemith's Creative Process - 4 Preparations and Performances - PART TWO: Der Kinderkreuzzug (1939) and the Later Ballet Scenarios: Defining the Visualized Dance and Expressive Gestures in Hindemith's Ballet Works from the 1930s - 1 Der Kinderkreuzzug (1939) - 2. The Composer and His Dance - Conclusions - Research Perspectives - References
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