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Speaking in Tongues and Dancing Diaspora theorizes the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women.
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Speaking in Tongues and Dancing Diaspora theorizes the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 336
- Erscheinungstermin: 4. Juni 2014
- Englisch
- Abmessung: 236mm x 160mm x 33mm
- Gewicht: 590g
- ISBN-13: 9780195116595
- ISBN-10: 0195116593
- Artikelnr.: 40581287
- Verlag: Oxford University Press
- Seitenzahl: 336
- Erscheinungstermin: 4. Juni 2014
- Englisch
- Abmessung: 236mm x 160mm x 33mm
- Gewicht: 590g
- ISBN-13: 9780195116595
- ISBN-10: 0195116593
- Artikelnr.: 40581287
Mae G. Henderson is Professor of English at the University of North Carolina at Chapel Hill. She is editor of Black Queer Studies: A Critical Anthology (2005), Borders, Boundaries and Frames (1995), and co-editor (with John Blassingame) of the five-volume Antislavery Newspapers and Periodicals: An Annotated Index of Letters, 1817-1871 (1980).
* CONTENTS
* Introduction
* 1. Alice Walker's The Color Purple: Revisions and Redefinitions
* 2. (W)Riting The Work and Working the Rites
* 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman
Writer's Literary Tradition
* 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text
* 5. The Stories of (O)Dessa: Stories of Complicity and Resistance
* 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing
* 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech
* 8. State of the Art: Black Feminist Theory
* 9. What It Means to Teach the Other When the Other Is the Self
* 10. Authors and Authorities
* 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism
* 12. Josephine Baker and La Revue Nègre: From Ethnography to
Performance
* 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings
of Josephine Baker as Dancer and Performance Artist
* 14. About Face, or, What Is This "Back" in B(l)ack Popular
Culture?: From Venus Hottentot to Video Hottie
* IN RETROSPECT
* 15. Sherley Anne Williams: "Someone Sweet Angel Chile"
* 16. Bebe Moore Campbell: "Literature as Equipment for Living"
* Bibliography
* Index
* Introduction
* 1. Alice Walker's The Color Purple: Revisions and Redefinitions
* 2. (W)Riting The Work and Working the Rites
* 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman
Writer's Literary Tradition
* 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text
* 5. The Stories of (O)Dessa: Stories of Complicity and Resistance
* 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing
* 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech
* 8. State of the Art: Black Feminist Theory
* 9. What It Means to Teach the Other When the Other Is the Self
* 10. Authors and Authorities
* 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism
* 12. Josephine Baker and La Revue Nègre: From Ethnography to
Performance
* 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings
of Josephine Baker as Dancer and Performance Artist
* 14. About Face, or, What Is This "Back" in B(l)ack Popular
Culture?: From Venus Hottentot to Video Hottie
* IN RETROSPECT
* 15. Sherley Anne Williams: "Someone Sweet Angel Chile"
* 16. Bebe Moore Campbell: "Literature as Equipment for Living"
* Bibliography
* Index
* CONTENTS
* Introduction
* 1. Alice Walker's The Color Purple: Revisions and Redefinitions
* 2. (W)Riting The Work and Working the Rites
* 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman
Writer's Literary Tradition
* 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text
* 5. The Stories of (O)Dessa: Stories of Complicity and Resistance
* 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing
* 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech
* 8. State of the Art: Black Feminist Theory
* 9. What It Means to Teach the Other When the Other Is the Self
* 10. Authors and Authorities
* 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism
* 12. Josephine Baker and La Revue Nègre: From Ethnography to
Performance
* 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings
of Josephine Baker as Dancer and Performance Artist
* 14. About Face, or, What Is This "Back" in B(l)ack Popular
Culture?: From Venus Hottentot to Video Hottie
* IN RETROSPECT
* 15. Sherley Anne Williams: "Someone Sweet Angel Chile"
* 16. Bebe Moore Campbell: "Literature as Equipment for Living"
* Bibliography
* Index
* Introduction
* 1. Alice Walker's The Color Purple: Revisions and Redefinitions
* 2. (W)Riting The Work and Working the Rites
* 3. Speaking in Tongues: Dialectics, Dialogics, and the Black Woman
Writer's Literary Tradition
* 4. Toni Morrison's Beloved: Re-Membering the Body as Historical Text
* 5. The Stories of (O)Dessa: Stories of Complicity and Resistance
* 6. "Seen But Not Heard": A Poetics of Afro-American Women's Writing
* 7. Gayl Jones's White Rat: Speaking Silence/Silencing Speech
* 8. State of the Art: Black Feminist Theory
* 9. What It Means to Teach the Other When the Other Is the Self
* 10. Authors and Authorities
* 11. Nella Larsen's Passing: Passing, Performance, and (Post)modernism
* 12. Josephine Baker and La Revue Nègre: From Ethnography to
Performance
* 13. Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings
of Josephine Baker as Dancer and Performance Artist
* 14. About Face, or, What Is This "Back" in B(l)ack Popular
Culture?: From Venus Hottentot to Video Hottie
* IN RETROSPECT
* 15. Sherley Anne Williams: "Someone Sweet Angel Chile"
* 16. Bebe Moore Campbell: "Literature as Equipment for Living"
* Bibliography
* Index