This book analyzes how twenty-first century film adaptations of Shakespeare's comedies interpret gender-related concepts of their source texts. Examining the negotiations between early modern and contemporary gender politics, Cie¿lak identifies the main strategies of accommodating early modern gender constructs for today's audiences.
This book analyzes how twenty-first century film adaptations of Shakespeare's comedies interpret gender-related concepts of their source texts. Examining the negotiations between early modern and contemporary gender politics, Cie¿lak identifies the main strategies of accommodating early modern gender constructs for today's audiences.
Magdalena Cie¿lak is assistant professor of English at the University of ¿ód¿.
Inhaltsangabe
Part I: Doing It "Straight" Chapter 1-Michael Radford's The Merchant of Venice Chapter 2-Kenneth Branagh's As You Like It Chapter 3-Julie Taymor's The Tempest Chapter 4-Joss Whedon's Much Ado About Nothing Part II: BBC's ShakespeaRe-Told-Retelling Shakespeare for Political Correctness Chapter 5-BBC's ShakespeaRe-Told Much Ado About Nothing, dir. Brian Percival Chapter 6-BBC's ShakespeaRe-Told The Taming of the Shrew, dir. David Richards Chapter 7- BBC's ShakespeaRe-Told A Midsummer Night's Dream, dir. Ed Fraiman Conclusion: Girl Power or Will Power? Epilogue: Bridget Jones's Baby
Part I: Doing It "Straight" Chapter 1-Michael Radford's The Merchant of Venice Chapter 2-Kenneth Branagh's As You Like It Chapter 3-Julie Taymor's The Tempest Chapter 4-Joss Whedon's Much Ado About Nothing Part II: BBC's ShakespeaRe-Told-Retelling Shakespeare for Political Correctness Chapter 5-BBC's ShakespeaRe-Told Much Ado About Nothing, dir. Brian Percival Chapter 6-BBC's ShakespeaRe-Told The Taming of the Shrew, dir. David Richards Chapter 7- BBC's ShakespeaRe-Told A Midsummer Night's Dream, dir. Ed Fraiman Conclusion: Girl Power or Will Power? Epilogue: Bridget Jones's Baby
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