This project approaches four of Doctorow's novels-Welcome to Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and City of God (2000)-from the perspectives of feminist criticism and trauma theory.
This project approaches four of Doctorow's novels-Welcome to Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and City of God (2000)-from the perspectives of feminist criticism and trauma theory.
María Ferrández San Miguel is a lecturer at the Department of English and German Studies (University of Zaragoza). Her work has been published in journals such as Atlantis, The Nordic Journal of English Studies and Orbis Litterarum, and in volumes such as Memory Frictions: Conflict, Negotiation, Politics (Palgrave MacMillan).
Inhaltsangabe
Introduction Chapter 1. Welcome to Hard Times; the Frontier Reconsidered Shame, Guilt, Violence and Trauma In Search for a New Gender Order Discussion and Conclusion Chapter 2. The Book of Daniel; a Memoir Gone Awry The Trauma of a Grievous Past Gender Oppression and/as Power Discussion and Conclusion Chapter 3. Ragtime; Remembering the Future Trauma and Resilience The Politics of Gender Discussion and Conclusion Chapter 4. City of God; with Eyes Past All Grief Fictionalizing the Holocaust Voicing Gender Discussion and Conclusion Chapter 5. Discussion; the Ethics and Politics of Literature Conclusion
Introduction Chapter 1. Welcome to Hard Times; the Frontier Reconsidered Shame, Guilt, Violence and Trauma In Search for a New Gender Order Discussion and Conclusion Chapter 2. The Book of Daniel; a Memoir Gone Awry The Trauma of a Grievous Past Gender Oppression and/as Power Discussion and Conclusion Chapter 3. Ragtime; Remembering the Future Trauma and Resilience The Politics of Gender Discussion and Conclusion Chapter 4. City of God; with Eyes Past All Grief Fictionalizing the Holocaust Voicing Gender Discussion and Conclusion Chapter 5. Discussion; the Ethics and Politics of Literature Conclusion
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