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Transformation of museums from physical places to cultural spaces provides the opportunity to re-examine and reassess histories, sounds, voices, images, memories, bodies, expression and cultures previously repressed by the historical and traditional frames of Occidental thought. Developing the 'postcolonial' museum in an age of mass migrations, the internet and digital technologies requires new strategies and critical approaches which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of 'modernity' in a so-called globalised and multicultural world.…mehr

Produktbeschreibung
Transformation of museums from physical places to cultural spaces provides the opportunity to re-examine and reassess histories, sounds, voices, images, memories, bodies, expression and cultures previously repressed by the historical and traditional frames of Occidental thought. Developing the 'postcolonial' museum in an age of mass migrations, the internet and digital technologies requires new strategies and critical approaches which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of 'modernity' in a so-called globalised and multicultural world.

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Autorenporträt
Iain Chambers, Alessandra De Angelis, Celeste Ianniciello, Mariangela Orabona, Michaela Quadraro
Rezensionen
'Long overdue, here is a volume that updates and reconfigures the intersection of postcolonial critique with multiple interpretations of the museum and social praxis in globalisation. The Postcolonial Museum charts gaps, achievements and prospects in 20 chapters that re-interpret the connection of past and current imperialisms. Introducing a wealth of new voices, this is essential reading for anyone interested in curatorial practice and theory, modern and contemporary art, ethnography, museology and the interventionist potential of research in the humanities overall.' Angela Dimitrakaki, University of Edinburgh, UK 'The Postcolonial Museum as a whole decidedly fills a desideratum in the field of contemporary arts and museology, as it illustrates critical aspects of artistic production, circulation and reception across the world, and above all entwines transcultural and transnational encounters in the age of globalization. Testimony. Between History and Memory