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How one opera company represents the economic precarity and aesthetic possibilities of operatic performance in the twenty-first century U.S.

Produktbeschreibung
How one opera company represents the economic precarity and aesthetic possibilities of operatic performance in the twenty-first century U.S.
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Autorenporträt
Megan Steigerwald Ille is Assistant Professor of Musicology at the College-Conservatory of Music at the University of Cincinnati.