Mehmet-Ali Atac argues that the meaning of Neo-Assyrian palace reliefs goes deeper than politics, imperial propaganda, and straightforward historical record.
Mehmet-Ali Atac argues that the meaning of Neo-Assyrian palace reliefs goes deeper than politics, imperial propaganda, and straightforward historical record.
Mehmet-Ali Ataç is Assistant Professor of Classical and Near Eastern Archaeology at Bryn Mawr College. A scholar of the art of the ancient Near East, he has contributed to The Art Bulletin and The Journal of Ancient Near Eastern Religions.
Inhaltsangabe
Part I. Human and Animal Ontology in Assyrian Art: Introduction 1. Ashurnasirpal II 2. Tiglath-Pileser III 3. Sargon II 4. Sennacherib 5. Ashurbanipal Conclusion to Part I Part II. Kingship and Priesthood in the Art of Ashurnasirpal II: Introduction 6. The king, non-king 7. 'La sale dite 'g'' 8. The mixta persona 9. The king and the 'sacred tree' 10. The encounter Conclusion to Part II Part III. The Semantics of Sages and Mischwesen in Assyrian Art and Thought: Introduction 11. Before the flood 12. Fertilization and purification 13. King the man, the king-man 14. 'Tiamat's brood' 15. The ancient Mesopotamian flood traditions 16. Lord of the netherworld Conclusion to Part III Epilogue.
Part I. Human and Animal Ontology in Assyrian Art: Introduction 1. Ashurnasirpal II 2. Tiglath-Pileser III 3. Sargon II 4. Sennacherib 5. Ashurbanipal Conclusion to Part I Part II. Kingship and Priesthood in the Art of Ashurnasirpal II: Introduction 6. The king, non-king 7. 'La sale dite 'g'' 8. The mixta persona 9. The king and the 'sacred tree' 10. The encounter Conclusion to Part II Part III. The Semantics of Sages and Mischwesen in Assyrian Art and Thought: Introduction 11. Before the flood 12. Fertilization and purification 13. King the man, the king-man 14. 'Tiamat's brood' 15. The ancient Mesopotamian flood traditions 16. Lord of the netherworld Conclusion to Part III Epilogue.
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