Aesthetic Opposites in John Keats¿s Endymion - Khan, Mehnaz
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This work has been struggling with the aesthetic opposites as a fundamental and innovating a phenomenon in understanding beauty in long narrative poem "Endymion" of John Keats, in interpretative contexts of Aesthetic Realism that is a new strand in the Postmodern Aesthetic theory of Eli Siegel. The novelty of the work lies in the argument that aesthetic realism, as a strand of Aesthetic discussion, has received relatively little attention in existing interpretative engagements of English literature in Pakistan. The major issue has been a modified understanding of two Aesthetic opposites' pairs…mehr

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Produktbeschreibung
This work has been struggling with the aesthetic opposites as a fundamental and innovating a phenomenon in understanding beauty in long narrative poem "Endymion" of John Keats, in interpretative contexts of Aesthetic Realism that is a new strand in the Postmodern Aesthetic theory of Eli Siegel. The novelty of the work lies in the argument that aesthetic realism, as a strand of Aesthetic discussion, has received relatively little attention in existing interpretative engagements of English literature in Pakistan. The major issue has been a modified understanding of two Aesthetic opposites' pairs of 'Order and Freedom' and of 'Simplicity and Complexity' of Aesthetic Realism and the analysis of "Endymion" in the light of these perspectives.
Autorenporträt
Mehnaz was born on 26 February 1978, at Kohat District in Khyber Pakhtunkhwa (Pakistan). She is affiliated with National University of Modern Languages Peshawar Campus Pakistan. Currently, she is writing her Ph.D.thesis in English Literature. Has published many research papers in various reputed journals. She knows English, Urdu, Pashto and Hindko.