A study of the challenges museums face when they present narratives of instability, uncertainty and fear in their exhibitions. Analysing a range of case studies, the book explores both the successes and obstacles involved in translating historical narratives of vulnerability to the exhibition floor.
A study of the challenges museums face when they present narratives of instability, uncertainty and fear in their exhibitions. Analysing a range of case studies, the book explores both the successes and obstacles involved in translating historical narratives of vulnerability to the exhibition floor.
Meighen Katz has lectured at the University of Melbourne, the Australian Catholic University, and Deakin University; she contributed to exhibitions at Museum Victoria; and she was the 2016 Grimwade Curator at the Ian Potter Museum of Art. She holds a PhD from Monash University and is a founding partner of Present Past Consulting Historians.
Inhaltsangabe
1. Introduction: The Great Depression Museums and Narratives of Vulnerability 2. Shaking Off the Dust Bowl: Strikes and the Challenge of Iconic History 3. Belonging: Interpretations of Home Homelessness and Neighborhoods 4. The Arts and the Imagined Audience: Theatre Radio and the Emotion of Vulnerability 5. The Big Ball of String: Concluding Thoughts
1. Introduction: The Great Depression Museums and Narratives of Vulnerability 2. Shaking Off the Dust Bowl: Strikes and the Challenge of Iconic History 3. Belonging: Interpretations of Home Homelessness and Neighborhoods 4. The Arts and the Imagined Audience: Theatre Radio and the Emotion of Vulnerability 5. The Big Ball of String: Concluding Thoughts
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