Meredith M. Hale presents the first chapter in the history of modern political satire, one that is critical to the media's emergence as the 'fourth estate'. Discussing themes relevant today, the study locates Dutch printmaker Romeyn de Hooghe (1645-1708) at the birth of modern political satire, and political satire at the heart of the modern media.
Meredith M. Hale presents the first chapter in the history of modern political satire, one that is critical to the media's emergence as the 'fourth estate'. Discussing themes relevant today, the study locates Dutch printmaker Romeyn de Hooghe (1645-1708) at the birth of modern political satire, and political satire at the heart of the modern media.
Meredith M. Hale received her PhD from Columbia University in New York and was awarded the Samuel H. Kress Fellowship at the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC and the Andrew W. Mellon Fellowship at the Metropolitan Museum of Art, New York. She worked as a Senior Specialist in Old Master Paintings at Christie's New York before taking up the Speelman Fellowship at Wolfson College, Cambridge, from 2009 to 2018. She joined the University of Exeter as a Lecturer in Art History and Visual Culture in 2019.
Inhaltsangabe
1: Introduction. The Birth of Modern Satire: Romeyn de Hooghe (1645-1708) and the Glorious Revolution 2: The Roots of Modern Political Satire 3: Foreign Subjects: The End of the Absolute Monarch 4: Satires on Domestic Subjects: William III and Amsterdam 5: Text, Image, and the Performance of Satire 6: The Role of the Satirist and the Problem of Moral Conviction 7: Conclusion: The Geography of Satire
1: Introduction. The Birth of Modern Satire: Romeyn de Hooghe (1645-1708) and the Glorious Revolution 2: The Roots of Modern Political Satire 3: Foreign Subjects: The End of the Absolute Monarch 4: Satires on Domestic Subjects: William III and Amsterdam 5: Text, Image, and the Performance of Satire 6: The Role of the Satirist and the Problem of Moral Conviction 7: Conclusion: The Geography of Satire
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