"One of the most compelling features of this study of narrative innovation is its innovative thesis. To read five such dissimilar works in terms of the shared characteristic Boardman finds in them requires a certain amount of critical courage. He undertakes his bold task with intellectual integrity and presents his argument with assurance and tact. . . . Specialists in eighteenth- and nineteenth-century fiction, as well as students of the novel generally, should find this an interesting and important book."--Oliver W. Ferguson, Duke University
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