Unselfing offers an account of the ways that global French writers have tried to capture experiences when the ordinary sense of the self as a source of unity, stability, and authority has been radically altered.
Unselfing offers an account of the ways that global French writers have tried to capture experiences when the ordinary sense of the self as a source of unity, stability, and authority has been radically altered.
Michaela Hulstyn teaches in the Structured Liberal Education program at Stanford University.
Inhaltsangabe
Introduction 1. Toward a Cognitive-Phenomenological Approach to the Self 2. What Is Unselfing? 3. Unselfing as Disruption: Self-Knowledge and Pain in Paul Valéry and Charlotte Delbo 4. Unselfing as Mutation: Hallucination and the Remains in Henri Michaux and Yolande Mukagasana 5. Unselfing as Fragmentation: Languages of Alterity in Abdelkebir Khatibi and Hélène Cixous 6. Unselfing as Destruction: De-creation and Inner Experience in Simone Weil and Georges Bataille Conclusion: The Promise and Peril of Unselfing
Introduction 1. Toward a Cognitive-Phenomenological Approach to the Self 2. What Is Unselfing? 3. Unselfing as Disruption: Self-Knowledge and Pain in Paul Valéry and Charlotte Delbo 4. Unselfing as Mutation: Hallucination and the Remains in Henri Michaux and Yolande Mukagasana 5. Unselfing as Fragmentation: Languages of Alterity in Abdelkebir Khatibi and Hélène Cixous 6. Unselfing as Destruction: De-creation and Inner Experience in Simone Weil and Georges Bataille Conclusion: The Promise and Peril of Unselfing
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