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This book focuses on a selection of "new media dystopias" produced and distributed through Anglo-American steaming platforms in the 2010s. The author studies and theorizes them as instances of an emergent, audio-visual sub-genre of sf which is, both formally and ideologically, an ambivalent reflection of digital capitalism's structures of feeling.
This book focuses on a selection of "new media dystopias" produced and distributed through Anglo-American steaming platforms in the 2010s. The author studies and theorizes them as instances of an emergent, audio-visual sub-genre of sf which is, both formally and ideologically, an ambivalent reflection of digital capitalism's structures of feeling.
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Autorenporträt
Miguel Sebastián-Martín is a postdoctoral researcher and teacher in the English Department at Universidad de Salamanca, where he also completed his PhD thesis, having previously taken an MPhil in Film and Screen Studies at the University of Cambridge. His research focusses on Anglophone speculative fiction in audio-visual media.
Inhaltsangabe
Contents: Introduction: Feeling Dystopian? - Our Hopeless SF Times: Contemporary Capitalism as a New Media Dystopia - New Media Reflexivity: Self- Referentiality and Self-Consciousness in the Audio-Visual SF of Digital Platforms - Between Critique and Mystification: The Aesthetic and Ideological Ambivalences of New Media Dystopias - New Media Quixotism: Satiric and Utopian Characterizations of Digital Subjectivity - Conclusion: Exit Dystopia?.
Contents: Introduction: Feeling Dystopian? - Our Hopeless SF Times: Contemporary Capitalism as a New Media Dystopia - New Media Reflexivity: Self- Referentiality and Self-Consciousness in the Audio-Visual SF of Digital Platforms - Between Critique and Mystification: The Aesthetic and Ideological Ambivalences of New Media Dystopias - New Media Quixotism: Satiric and Utopian Characterizations of Digital Subjectivity - Conclusion: Exit Dystopia?.
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