Politicised Cinema demonstrates how taking a collection of seemingly apolitical films and using them as an instrument for serving explicit political aims can be used as a force for good.
Politicised Cinema demonstrates how taking a collection of seemingly apolitical films and using them as an instrument for serving explicit political aims can be used as a force for good.
Miia Huttunen is a Postdoctoral Researcher in the Department of Social Sciences and Philosophy at the University of Jyväskylä, Finland.
Inhaltsangabe
Introduction 1. UNESCO's One World Paradox and the Cultural Diplomacy Conundrum 2. Debating Power over the Orient 3. Shady Borders: Opening a Space for Cultural Diplomacy 4. The Three Easts 5. Cultural Diplomatic Strategies: Japan and UNESCO 6. Five Kurosawas and the Incomprehensible East Conclusion
Introduction 1. UNESCO's One World Paradox and the Cultural Diplomacy Conundrum 2. Debating Power over the Orient 3. Shady Borders: Opening a Space for Cultural Diplomacy 4. The Three Easts 5. Cultural Diplomatic Strategies: Japan and UNESCO 6. Five Kurosawas and the Incomprehensible East Conclusion
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