This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.
This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Miriam Basilio is Assistant Professor of Art History and Museum Studies at New York University, USA.
Inhaltsangabe
Introduction: Museum Collection Displays and Canon-Formation; 1. "An evolutionary pedigree" -Modern Art in the 1930s-40s; 2. "National Representations and International Standards" The Latin-American Collection of the Museum of Modern Art (1943) and The First General Exhibition of the Museum Collection of Painting and Sculpture (1945); 3. "Geographic Distributions": The Twenty-Fifth Anniversary Exhibition, 1954-1955; 4. A "Missing Link": Elaine L. Johnson's Latin American Program and the 1967 Collection Exhibition; 5. Revising Modernism? The Place of Latin American Art in MoMA's Collection Galleries, 2004-2023
Introduction: Museum Collection Displays and Canon-Formation; 1. "An evolutionary pedigree" -Modern Art in the 1930s-40s; 2. "National Representations and International Standards" The Latin-American Collection of the Museum of Modern Art (1943) and The First General Exhibition of the Museum Collection of Painting and Sculpture (1945); 3. "Geographic Distributions": The Twenty-Fifth Anniversary Exhibition, 1954-1955; 4. A "Missing Link": Elaine L. Johnson's Latin American Program and the 1967 Collection Exhibition; 5. Revising Modernism? The Place of Latin American Art in MoMA's Collection Galleries, 2004-2023
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