Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Noam Lemish is a pianist, composer, scholar, educator, and assistant professor in the Department of Music at York University in Toronto, Canada.
Inhaltsangabe
1. Introduction 2. "Israeli Jazz": History and Overview 3. "Israeli Jazz": Blending Blends and Threads of Influence 4. The Sand and the Sea: Transcultural Jazz Arrangements of Israeli and Jewish Repertoirs 5. Falafel Jazz? The Politics of Genre and Culture 6. Profiles of Multi-local Musicians: Amos Hoffman, Anat Cohen and Omer Klein 7. Conclusion
1. Introduction 2. "Israeli Jazz": History and Overview 3. "Israeli Jazz": Blending Blends and Threads of Influence 4. The Sand and the Sea: Transcultural Jazz Arrangements of Israeli and Jewish Repertoirs 5. Falafel Jazz? The Politics of Genre and Culture 6. Profiles of Multi-local Musicians: Amos Hoffman, Anat Cohen and Omer Klein 7. Conclusion
1. Introduction 2. "Israeli Jazz": History and Overview 3. "Israeli Jazz": Blending Blends and Threads of Influence 4. The Sand and the Sea: Transcultural Jazz Arrangements of Israeli and Jewish Repertoirs 5. Falafel Jazz? The Politics of Genre and Culture 6. Profiles of Multi-local Musicians: Amos Hoffman, Anat Cohen and Omer Klein 7. Conclusion
1. Introduction 2. "Israeli Jazz": History and Overview 3. "Israeli Jazz": Blending Blends and Threads of Influence 4. The Sand and the Sea: Transcultural Jazz Arrangements of Israeli and Jewish Repertoirs 5. Falafel Jazz? The Politics of Genre and Culture 6. Profiles of Multi-local Musicians: Amos Hoffman, Anat Cohen and Omer Klein 7. Conclusion
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