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A critical study of the history of public art museums in Austria-Hungary, examining their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg state.

Produktbeschreibung
A critical study of the history of public art museums in Austria-Hungary, examining their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg state.
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Autorenporträt
Matthew Rampley is Principal Investigator for the research project Continuity/Rupture: Art and Architecture in Central Europe 1918-1939, funded by the European Research Council, and Professor of Art History at Masaryk University. His recent publications include The Seductions of Darwin: Art, Evolution, Neuroscience and The Vienna School of Art History: Empire and the Politics of Scholarship, 1847-1918, both published by Penn State University Press. Markian Prokopovych is Assistant Professor of History at Durham University and the author of In the Public Eye: The Budapest Opera House, the Audience and the Press, 1884-1918 and Habsburg Lemberg: Architecture, Public Space, and Politics in the Galician Capital, 1772-1914. Nóra Veszprémi is a Research Fellow on the project Continuity/Rupture: Art and Architecture in Central Europe 1918-1939, funded by the European Research Council, at Masaryk University. She is the author of Fölfújt pipere és költői mámor: Romantika és művészeti közízlés a reformkori Magyarországon [Overblown makeup and poetic frenzy: Romanticism and popular taste in Hungary, 1820-1850].