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Pianist Norito Irei makes his debut as an academic writer through publication of his doctoral thesis, "French Orientalism in Reynaldo Hahn's Series 'Orient' from Le Rossignol Eperdu." The pianist analyzes six selected works from the 53-piece piano suite composed by the naturalized French composer who is Venezuelan by birth. Focusing on the set which the composer has grouped together and cataloged under their collective name 'Orient', Irei first reinstates Orientalism in French piano music, apart from its sociological significance, by re-introducing formalized music theories and score excerpts…mehr

Produktbeschreibung
Pianist Norito Irei makes his debut as an academic writer through publication of his doctoral thesis, "French Orientalism in Reynaldo Hahn's Series 'Orient' from Le Rossignol Eperdu." The pianist analyzes six selected works from the 53-piece piano suite composed by the naturalized French composer who is Venezuelan by birth. Focusing on the set which the composer has grouped together and cataloged under their collective name 'Orient', Irei first reinstates Orientalism in French piano music, apart from its sociological significance, by re-introducing formalized music theories and score excerpts from piano music of Debussy and Saint-Saens. He, then, goes on to highlight, within the selections, Hahn's musical gestures eliciting non-occidental exoticism by matching them with the theoretical framework of formally proven Orientalism in French piano music. The pianist responds brilliantly to mysterious sound of French Orientalism in this well-structured book.
Autorenporträt
Norito Irei is a pianist from Okinawa Island. He was a two-time winner in the Okinawa round of Petina Concours, and the finalist in 2001-2002 Rollins College Concerto Competition. As a chamber pianist, he received honorable mentions in many ensemble competitions. Irei is a featured pianist for Reynaldo.Hahn.Project, produced by La Belle-Epoque.