Using archival sources, The Colonial and National Formations of the National College of Arts, Lahore, c1870-1960 explores the colonial and postcolonial history of arts education in Pakistan by focusing on the history of the National College of Arts since the nineteenth century.
Using archival sources, The Colonial and National Formations of the National College of Arts, Lahore, c1870-1960 explores the colonial and postcolonial history of arts education in Pakistan by focusing on the history of the National College of Arts since the nineteenth century.
Nadeem Omar Tarar is an anthropologist at the Center for Culture and Development, Pakistan, and Vice President, Council of Social Sciences, Pakistan. Formerly Director of the Graduate Program in the Cultural Studies Department of the National College of Arts (NCA), Lahore, Tarar later served as Director, NCA, Rawalpindi Campus.
Inhaltsangabe
Introduction 1. Crafting Artisans as Primitive Artists: Art and Craft Discourses in Colonial Punjab 2. Kipling's School: British Arts and Crafts Movement in Punjab 3. Politics of Art and Craft: Rethinking the Mayo School 4. Aesthetics Modernism In the Post-Colony: The Making of a National College of Art 5. Framings of a National Tradition: Discourses on Modern Masters and the Invention of Miniature Painting in Pakistan Conclusions Appendix Bibliography.
Introduction 1. Crafting Artisans as Primitive Artists: Art and Craft Discourses in Colonial Punjab 2. Kipling's School: British Arts and Crafts Movement in Punjab 3. Politics of Art and Craft: Rethinking the Mayo School 4. Aesthetics Modernism In the Post-Colony: The Making of a National College of Art 5. Framings of a National Tradition: Discourses on Modern Masters and the Invention of Miniature Painting in Pakistan Conclusions Appendix Bibliography.
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