Acknowledgements Introduction Part I. Data: 1. Survey of trades investigated 2. Metalwork 3. Electric and gas fittings 4. Furniture 5. Textiles 1: furnishings (and dress) materials 6. Textiles 2: carpets 7. Wallpapers 8. Pottery 9. Glass 10. Silver and electro-plate 11. Hollow-ware 12. Plastic mouldings 13. Wireless cabinets 14. Jewellery 15. Leather goods 16. Packaging 17. Printing 18. Motor-cars 19. Art schools visited 20. The British Institute of Industrial Art 21. The Industrial Art Committee of the Federation of British Industries 22. The Gorell Committee 23. The Pick Council 24. The Design and Industries Association 25. The Society of Industrial Artists 26. The Royal Society of Arts 27. The Royal Academy and the Exhibition of British Art in Industry at Burlington House 28. Other exhibitions 29. Periodicals and books Part II. Conclusion: 30. Ration between good and bad in England and abroad 31. Sequence of trades according to artistic quality of products 32. Reasons for differences of artistic quality 33. Size of manufacturing unit 34. Organization of manufacturing unit 35. Old and new industries 36. Objects for use and objects for adornment 37. Hand-made and machine-made articles 38. Boom and slump 39. The creator of designs 40. The aesthetic value of cheap and expensive articles 41. The taste of the public 42. The social problem 43. Suggestions for improvement (i) art education (ii) exhibitions - prices - registration of design (iii) Other public institutions - private institutions - publications 44. The duties of the consumer 45. The duties of the manufacturer and the retailer Addenda.
Acknowledgements Introduction Part I. Data: 1. Survey of trades investigated 2. Metalwork 3. Electric and gas fittings 4. Furniture 5. Textiles 1: furnishings (and dress) materials 6. Textiles 2: carpets 7. Wallpapers 8. Pottery 9. Glass 10. Silver and electro-plate 11. Hollow-ware 12. Plastic mouldings 13. Wireless cabinets 14. Jewellery 15. Leather goods 16. Packaging 17. Printing 18. Motor-cars 19. Art schools visited 20. The British Institute of Industrial Art 21. The Industrial Art Committee of the Federation of British Industries 22. The Gorell Committee 23. The Pick Council 24. The Design and Industries Association 25. The Society of Industrial Artists 26. The Royal Society of Arts 27. The Royal Academy and the Exhibition of British Art in Industry at Burlington House 28. Other exhibitions 29. Periodicals and books Part II. Conclusion: 30. Ration between good and bad in England and abroad 31. Sequence of trades according to artistic quality of products 32. Reasons for differences of artistic quality 33. Size of manufacturing unit 34. Organization of manufacturing unit 35. Old and new industries 36. Objects for use and objects for adornment 37. Hand-made and machine-made articles 38. Boom and slump 39. The creator of designs 40. The aesthetic value of cheap and expensive articles 41. The taste of the public 42. The social problem 43. Suggestions for improvement (i) art education (ii) exhibitions - prices - registration of design (iii) Other public institutions - private institutions - publications 44. The duties of the consumer 45. The duties of the manufacturer and the retailer Addenda.
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