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This book positions the 'politics of design' at the centre of scenographic practice within the community theatre circles. The work argues that the understanding of the 'politics of design' enables community theatre groups to develop designs that serve the specific needs and objectives of their productions. This work hypothesizes that the practice of scenography by community theatre groups can be enhanced and enriched through mastering the politics of design. Mastering the politics of design enables theatre practitioners to understand design theory, apply it in practice and use the design…mehr

Produktbeschreibung
This book positions the 'politics of design' at the centre of scenographic practice within the community theatre circles. The work argues that the understanding of the 'politics of design' enables community theatre groups to develop designs that serve the specific needs and objectives of their productions. This work hypothesizes that the practice of scenography by community theatre groups can be enhanced and enriched through mastering the politics of design. Mastering the politics of design enables theatre practitioners to understand design theory, apply it in practice and use the design terminology correctly. The book has two components: the creative project and the theoretical reflex paper. The creative project is made up of two productions: Tears of Death (2013) by Intuba Arts Development and Just Because (1999; 2013) by Bambelela Arts Ensemble. The main performance of Tears of Death was at the National Arts Festival in Grahamstown from the 27th of June and 7th of July 2013 while that of Just Because by Bambelela Arts Ensemble was presented on 20th and 22nd of August 2013 in Bulawayo.
Autorenporträt
Mr. Nkululeko Sibanda holds a Master of Arts (Drama and Performance Studies) from the University of KwaZulu Natal (Howard College) and is reading for his PhD at the same University. He is a practising scenographer in South Africa and Zimbabwe.