Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance’s creation of digital shorts and web series intended for cell phone viewing.
Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance’s creation of digital shorts and web series intended for cell phone viewing.
SARAH E. S. SINWELL is an assistant professor in the Department of Film and Media Arts at the University of Utah. She has published essays on Kickstarter,Green Porno and Mysterious Skin in A Companion to American Indie Film, Women's Studies Quarterly and Asexualities: Feminist and Queer Perspectives.
Inhaltsangabe
Contents Introduction 1 Indie Via Instant Viewing: Now Streaming on Netflix and Hulu 2 Simultaneous Release Strategies: Soderbergh and the Screening Room 3 DIY Distribution: YouTube, Four Eyed Monsters, and Girl Walks Into A Bar 4 The Fourth Screen: Sundance, Shorts, and Cell Phones Conclusion Acknowledgments About the Author Bibliography Mediagraphy Index
Contents Introduction 1 Indie Via Instant Viewing: Now Streaming on Netflix and Hulu 2 Simultaneous Release Strategies: Soderbergh and the Screening Room 3 DIY Distribution: YouTube, Four Eyed Monsters, and Girl Walks Into A Bar 4 The Fourth Screen: Sundance, Shorts, and Cell Phones Conclusion Acknowledgments About the Author Bibliography Mediagraphy Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309