Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads - Williams, Sarah F.
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Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique c

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Produktbeschreibung
Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique c
Autorenporträt
Sarah F. Williams is Associate Professor of Music History at the University of South Carolina School of Music, USA. Her work has appeared in the Journal of Musicological Research, the Journal of Seventeenth-Century Music, and has been supported by the National Endowment for the Humanities and the American Musicological Society.