This book on contemporary theater and performance examines how independent theater in Uruguay is marked by points of crisis as shifting networks of power among economic, political, historical, legal, cultural, literary, and gender worlds collide.
This book on contemporary theater and performance examines how independent theater in Uruguay is marked by points of crisis as shifting networks of power among economic, political, historical, legal, cultural, literary, and gender worlds collide.
Acknowledgments List of Illustrations Introduction: Spatial Crises and Theatrical Topographies p.1 Chapter 1: Textual Landscapes: Postdramatic Triptychs, Bifurcations, and Bio-Politics in Gabriel Peveroni's Trilogy Chapter 2: Alternative Cartographies: Marianella Morena's Women's Spaces and Journeys Chapter 3: Deluges, Holocausts, and Neo-Fascism: Exposing the Gaps through Performance Space in Santiago Sanguinetti's in Ararat and Nuremberg Chapter 4: Mapmaking and Wayfinding in Gabriel Calderón's Staged Worlds Conclusion: Sergio Blanco's Kassandra Complex: Transvestite Performances and Clothing Landscapes Bibliography Index About the Author
Acknowledgments List of Illustrations Introduction: Spatial Crises and Theatrical Topographies p.1 Chapter 1: Textual Landscapes: Postdramatic Triptychs, Bifurcations, and Bio-Politics in Gabriel Peveroni's Trilogy Chapter 2: Alternative Cartographies: Marianella Morena's Women's Spaces and Journeys Chapter 3: Deluges, Holocausts, and Neo-Fascism: Exposing the Gaps through Performance Space in Santiago Sanguinetti's in Ararat and Nuremberg Chapter 4: Mapmaking and Wayfinding in Gabriel Calderón's Staged Worlds Conclusion: Sergio Blanco's Kassandra Complex: Transvestite Performances and Clothing Landscapes Bibliography Index About the Author
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