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This book revisits the tradition of Western religious cinema in light of scholarship on St. Paul's political theology. Sean Desilets engages with the films of Carl-Th. Dreyer, Robert Bresson, Pier Paolo Pasolini, and Carlos Reygadas and puts forward a nuanced theoretical framework that will be useful for film scholars, students of contemporary p
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.