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Ancient artworks from Shanxi, China-a cultural crossroads known as West of Mountains-transport us to worlds beyond, with lavish illustration and insightful essays.
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Ancient artworks from Shanxi, China-a cultural crossroads known as West of Mountains-transport us to worlds beyond, with lavish illustration and insightful essays.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: ACC Art Books
- Seitenzahl: 240
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 335mm x 276mm
- ISBN-13: 9781788843317
- ISBN-10: 1788843312
- Artikelnr.: 73327959
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: ACC Art Books
- Seitenzahl: 240
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 335mm x 276mm
- ISBN-13: 9781788843317
- ISBN-10: 1788843312
- Artikelnr.: 73327959
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Eugene Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University, where he holds appointments in History of Art and Architecture, Theater, Dance, and Media, Study of Religion, and Inner Asia and Altaic Studies. A Guggenheim Fellow, he is the award-winning author of Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China and the art history editor of the Encyclopedia of Buddhism. As the founding director of Harvard CAMLab (Cognition, Aesthetics, and Multimedia Lab), he pioneers innovative approaches to transforming academic knowledge into immersive sensorial experiences.
1.Introduction 2.Who Roamed Around the North Star? Early Chinese creation
myths and celestial mapping through art. 3.Why Do Alligator-Shaped Vessels
Grow Horns? The zoomorphic language of hybrid ritual objects, encoding
cycles of life, death, and regeneration. 4.Why Does the Drinking Vessel
Have Anything to Do with a Bird-Snake Fight? The yin-yang cosmology that
informs the design and symbolic function of bronze vessels. 5.What Does It
Take to Manufacture Forms of Life? The conceptual and technical foundations
of clay molds in artifact production and their evocation of vitalization.
6.Why Does the Quiet Tomb Need Thunderstorms? Cosmological processes that
engender vitality and dynamism in the afterlife. 7.How Can One Reach Heaven
by Diving into a Well? The symbolic layers behind filial piety narratives
in funerary art and architecture. 8.Why Is the Cave the Best Place to Play
Chess? The medieval Chinese concept of 'grotto-heaven' as a distinct
experiential realm beyond ordinary life. 9.Which Buddha Land Would You
Choose for Your Afterlife Destination? Competing Buddhist pure lands and
their visual and ideological claims on medieval Chinese imagination.
10.Where Did the Europeans Go After They Died in Medieval China?
Zoroastrian-influenced afterlife visions and their artistic representations
in medieval China. 11.What Is It Like to Go to the Buddhist Monasteries in
the Deep Mountains? The origin, evolution, and conceptual significance of
monastery-bound mountain treks in Chinese landscape traditions. What Is It
Like to Go Inside Our Own Bodies? The symbolic and conceptual agendas
underpinning the pictorial scrolls of the Water Land ritual.
myths and celestial mapping through art. 3.Why Do Alligator-Shaped Vessels
Grow Horns? The zoomorphic language of hybrid ritual objects, encoding
cycles of life, death, and regeneration. 4.Why Does the Drinking Vessel
Have Anything to Do with a Bird-Snake Fight? The yin-yang cosmology that
informs the design and symbolic function of bronze vessels. 5.What Does It
Take to Manufacture Forms of Life? The conceptual and technical foundations
of clay molds in artifact production and their evocation of vitalization.
6.Why Does the Quiet Tomb Need Thunderstorms? Cosmological processes that
engender vitality and dynamism in the afterlife. 7.How Can One Reach Heaven
by Diving into a Well? The symbolic layers behind filial piety narratives
in funerary art and architecture. 8.Why Is the Cave the Best Place to Play
Chess? The medieval Chinese concept of 'grotto-heaven' as a distinct
experiential realm beyond ordinary life. 9.Which Buddha Land Would You
Choose for Your Afterlife Destination? Competing Buddhist pure lands and
their visual and ideological claims on medieval Chinese imagination.
10.Where Did the Europeans Go After They Died in Medieval China?
Zoroastrian-influenced afterlife visions and their artistic representations
in medieval China. 11.What Is It Like to Go to the Buddhist Monasteries in
the Deep Mountains? The origin, evolution, and conceptual significance of
monastery-bound mountain treks in Chinese landscape traditions. What Is It
Like to Go Inside Our Own Bodies? The symbolic and conceptual agendas
underpinning the pictorial scrolls of the Water Land ritual.
1.Introduction 2.Who Roamed Around the North Star? Early Chinese creation
myths and celestial mapping through art. 3.Why Do Alligator-Shaped Vessels
Grow Horns? The zoomorphic language of hybrid ritual objects, encoding
cycles of life, death, and regeneration. 4.Why Does the Drinking Vessel
Have Anything to Do with a Bird-Snake Fight? The yin-yang cosmology that
informs the design and symbolic function of bronze vessels. 5.What Does It
Take to Manufacture Forms of Life? The conceptual and technical foundations
of clay molds in artifact production and their evocation of vitalization.
6.Why Does the Quiet Tomb Need Thunderstorms? Cosmological processes that
engender vitality and dynamism in the afterlife. 7.How Can One Reach Heaven
by Diving into a Well? The symbolic layers behind filial piety narratives
in funerary art and architecture. 8.Why Is the Cave the Best Place to Play
Chess? The medieval Chinese concept of 'grotto-heaven' as a distinct
experiential realm beyond ordinary life. 9.Which Buddha Land Would You
Choose for Your Afterlife Destination? Competing Buddhist pure lands and
their visual and ideological claims on medieval Chinese imagination.
10.Where Did the Europeans Go After They Died in Medieval China?
Zoroastrian-influenced afterlife visions and their artistic representations
in medieval China. 11.What Is It Like to Go to the Buddhist Monasteries in
the Deep Mountains? The origin, evolution, and conceptual significance of
monastery-bound mountain treks in Chinese landscape traditions. What Is It
Like to Go Inside Our Own Bodies? The symbolic and conceptual agendas
underpinning the pictorial scrolls of the Water Land ritual.
myths and celestial mapping through art. 3.Why Do Alligator-Shaped Vessels
Grow Horns? The zoomorphic language of hybrid ritual objects, encoding
cycles of life, death, and regeneration. 4.Why Does the Drinking Vessel
Have Anything to Do with a Bird-Snake Fight? The yin-yang cosmology that
informs the design and symbolic function of bronze vessels. 5.What Does It
Take to Manufacture Forms of Life? The conceptual and technical foundations
of clay molds in artifact production and their evocation of vitalization.
6.Why Does the Quiet Tomb Need Thunderstorms? Cosmological processes that
engender vitality and dynamism in the afterlife. 7.How Can One Reach Heaven
by Diving into a Well? The symbolic layers behind filial piety narratives
in funerary art and architecture. 8.Why Is the Cave the Best Place to Play
Chess? The medieval Chinese concept of 'grotto-heaven' as a distinct
experiential realm beyond ordinary life. 9.Which Buddha Land Would You
Choose for Your Afterlife Destination? Competing Buddhist pure lands and
their visual and ideological claims on medieval Chinese imagination.
10.Where Did the Europeans Go After They Died in Medieval China?
Zoroastrian-influenced afterlife visions and their artistic representations
in medieval China. 11.What Is It Like to Go to the Buddhist Monasteries in
the Deep Mountains? The origin, evolution, and conceptual significance of
monastery-bound mountain treks in Chinese landscape traditions. What Is It
Like to Go Inside Our Own Bodies? The symbolic and conceptual agendas
underpinning the pictorial scrolls of the Water Land ritual.