The fourteen essays included in Robert Burns and Transatlantic Culture re-orient scholarly understanding of Robert Burns by focusing on the reception and representation of the Scottish poet and songwriter in the Americas. Divided into five sections, the volume explores: transatlantic concerns in Burns's own work; Burns's early publication in North America; Burns's reception in the Americas; Burns's creation as a site of cultural memory; and extra-literary remediations of Burns, including contemporary digital representations.
The fourteen essays included in Robert Burns and Transatlantic Culture re-orient scholarly understanding of Robert Burns by focusing on the reception and representation of the Scottish poet and songwriter in the Americas. Divided into five sections, the volume explores: transatlantic concerns in Burns's own work; Burns's early publication in North America; Burns's reception in the Americas; Burns's creation as a site of cultural memory; and extra-literary remediations of Burns, including contemporary digital representations.
Sharon Alker is Associate Professor of English at Whitman College, Walla Walla, Washington. Leith Davis is Professor of English and Director of the Centre for Scottish Studies at Simon Fraser University, Burnaby, British Columbia. Holly Faith Nelson is Professor and Chair of English and Co-Director of the Gender Studies Institute at Trinity Western University in Langley, British Columbia.
Inhaltsangabe
Introduction 1: Burns's Transatlantic Concerns 1: Slavery as a Political Metaphor in Scotland and Ireland in the Age of Burns 2: Burns, Scotland, and the American Revolution 2: Burns and New World Print Networks 3: Tracing the Transatlantic Bard's Availability 4: "Guid black prent": Robert Burns and the Contemporary Scottish and American Periodical Press 3: Reading Burns in the Americas 5: Burns's Political Reputation in North America 6: America's Bard 1 7: The Presence of Robert Burns in Victorian and Edwardian Canada 8: Robert Burns and Latin America 4: Robert Burns and Transatlantic Cultural Memory 9: Robert Burns's Transatlantic Afterlives 10: Burns and Aphorism or, Poetry into Proverb: His Persistence in Cultural Memory Beyond Scotland 11: The Robert Burns 1859 Centenary: Mapping Transatlantic (Dis)location 5: Remediating Burns in Transatlantic Culture 12: Burns in the Park: A Tale of Three Monuments 1 13: Magnetic Attraction: The Transatlantic Songs of Robert Burns and Serge Hovey 14: Transatlanticism and Beyond: Robert Burns and the World Wide Web
Introduction 1: Burns's Transatlantic Concerns 1: Slavery as a Political Metaphor in Scotland and Ireland in the Age of Burns 2: Burns, Scotland, and the American Revolution 2: Burns and New World Print Networks 3: Tracing the Transatlantic Bard's Availability 4: "Guid black prent": Robert Burns and the Contemporary Scottish and American Periodical Press 3: Reading Burns in the Americas 5: Burns's Political Reputation in North America 6: America's Bard 1 7: The Presence of Robert Burns in Victorian and Edwardian Canada 8: Robert Burns and Latin America 4: Robert Burns and Transatlantic Cultural Memory 9: Robert Burns's Transatlantic Afterlives 10: Burns and Aphorism or, Poetry into Proverb: His Persistence in Cultural Memory Beyond Scotland 11: The Robert Burns 1859 Centenary: Mapping Transatlantic (Dis)location 5: Remediating Burns in Transatlantic Culture 12: Burns in the Park: A Tale of Three Monuments 1 13: Magnetic Attraction: The Transatlantic Songs of Robert Burns and Serge Hovey 14: Transatlanticism and Beyond: Robert Burns and the World Wide Web
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