Shonagh Hill teaches at University College Dublin. She was awarded an Irish Research Council Postdoctoral Fellowship 2016-17 (University College Dublin) to develop her monograph Women and Embodied Mythmaking in Irish Theatre. Hill has published articles on women and Irish theatre in a range of leading journals and internationally reviewed books. Most recently, 'Feeling Out of Place: The 'affective dissonance' of the feminist spectator in The Boys of Foley Street' was published in Performance, Feminism and Affect in Neoliberal Times (2017).
Inhaltsangabe
Introduction: a creative female corporeality 1. Revolutionary bodies: mythmaking and Irish feminisms 2. Unhomely bodies: transforming space 3. Process and resistance: metamorphic 'bodies that matter' 4. Staging female death: sacrificial and dying bodies 5. Haunted bodies and violent pasts 6. Olwen Fouéré's Corpus: the performer's body and her body of work.
Introduction: a creative female corporeality 1. Revolutionary bodies: mythmaking and Irish feminisms 2. Unhomely bodies: transforming space 3. Process and resistance: metamorphic 'bodies that matter' 4. Staging female death: sacrificial and dying bodies 5. Haunted bodies and violent pasts 6. Olwen Fouéré's Corpus: the performer's body and her body of work.
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