Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on…mehr
Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mikhail N. Epstein was one of the main proponents of postmodernism in Russia and the founder of the Laboratory of Modern Culture, Experimental Center of Creativity, Moscow. He is S. C. Dobbs Professor of Cultural Theory and Russian Literature at Emory University (USA) and Professor of Russian and Cultural Theory, Director of Centre for Humanities Innovation, at Durham University (UK).
Inhaltsangabe
Preface to the 1st edition Thomas Epstein Preface to the 2nd edition: Postmodernism and the Explosive Style of the Twenty-First Century Mikhail Epstein Introduction: "New Sectarianism" and the Pleasure Principle in Postmodern Russian Culture Slobodanka Vladiv-Glover PART I: THE MAKING OF RUSSIAN POSTMODERNISM Chapter 1. The Dialectics of Hyper: From Modernism to Postmodernism Mikhail Epstein Chapter 2. Postmodernism, Communism, and Sots-Art Mikhail Epstein Chapter 3. Representation of the Other in the Literature of the 1960s Slobodanka Vladiv-Glover Chapter 4. Perestroika as a Literary Paradigm Shift Alexander Genis PART II: MANIFESTOS OF RUSSIAN POSTMODERNISM Literary Manifestos Mikhail Epstein Chapter 5. Theses on Metarealism and Conceptualism (1983) Chapter 6. On Olga Sedakova and Lev Rubinshtein (1984) Chapter 7. What is Metarealism? Facts and Hypotheses (1986) Chapter 8. What is Metabole? On the Third Trope (1986) Chapter 9. Like a Corpse in the Desert: On the New Moscow Poetry (1987) Chapter 10. A Catalogue of New Poetries (1987) Cultural Manifestos Mikhail Epstein Chapter 11. Essayism: An Essay on the Essay (1982) Chapter 12. The Ecology of Thinking (1982) Chapter 13. Minimal Religion (1982) Chapter 14. The Age of Universalism (1983) Chapter 15. The Paradox of Acceleration (1985) PART III: SOCIALIST REALISM AND POSTMODERNISM Chapter 16. Archaic Postmodernism: The Aesthetics of Andrei Sinyavsky Alexander Genis Chapter 17. Postmodernism and Socialist Realism: From Sinyavsky to Sorokin Alexander Genis Chapter 18. Borders and Metamorphoses: Victor Pelevin in the Context of Post-Soviet Literature Alexander Genis PART IV: CONCEPTUALISM Chapter 19. The New Model of Discourse in Post-Soviet Fiction: Liudmila Petrushevskaia and Tatiana Tolstaia Slobodanka Vladiv-Glover Chapter 20. Heterogeneity and the Post-Avant-Garde: The Excremental Poetics of Vladimir Sorokin Slobodanka Vladiv-Glover Chapter 21. Emptiness as Technique: Word and Image in Ilya Kabakov Mikhail Epstein Chapter 22. The Philosophical Implications of Russian Conceptualism Mikhail Epstein PART V: POSTMODERNISM AND SPIRITUALITY Chapter 23. Post-Atheism: From Apophatic Theology to "Minimal Religion" Mikhail Epstein Chapter 24. Onions and Cabbages: Paradigms of Contemporary Culture Alexander Genis Chapter 25. The Charms of Entropy and New Sentimentality Mikhail Epstein Conclusion: On the Place of Postmodernism in Postmodernity Mikhail Epstein Select Bibliography Index of Names Index of Subjects
Preface to the 1st edition Thomas Epstein Preface to the 2nd edition: Postmodernism and the Explosive Style of the Twenty-First Century Mikhail Epstein Introduction: "New Sectarianism" and the Pleasure Principle in Postmodern Russian Culture Slobodanka Vladiv-Glover PART I: THE MAKING OF RUSSIAN POSTMODERNISM Chapter 1. The Dialectics of Hyper: From Modernism to Postmodernism Mikhail Epstein Chapter 2. Postmodernism, Communism, and Sots-Art Mikhail Epstein Chapter 3. Representation of the Other in the Literature of the 1960s Slobodanka Vladiv-Glover Chapter 4. Perestroika as a Literary Paradigm Shift Alexander Genis PART II: MANIFESTOS OF RUSSIAN POSTMODERNISM Literary Manifestos Mikhail Epstein Chapter 5. Theses on Metarealism and Conceptualism (1983) Chapter 6. On Olga Sedakova and Lev Rubinshtein (1984) Chapter 7. What is Metarealism? Facts and Hypotheses (1986) Chapter 8. What is Metabole? On the Third Trope (1986) Chapter 9. Like a Corpse in the Desert: On the New Moscow Poetry (1987) Chapter 10. A Catalogue of New Poetries (1987) Cultural Manifestos Mikhail Epstein Chapter 11. Essayism: An Essay on the Essay (1982) Chapter 12. The Ecology of Thinking (1982) Chapter 13. Minimal Religion (1982) Chapter 14. The Age of Universalism (1983) Chapter 15. The Paradox of Acceleration (1985) PART III: SOCIALIST REALISM AND POSTMODERNISM Chapter 16. Archaic Postmodernism: The Aesthetics of Andrei Sinyavsky Alexander Genis Chapter 17. Postmodernism and Socialist Realism: From Sinyavsky to Sorokin Alexander Genis Chapter 18. Borders and Metamorphoses: Victor Pelevin in the Context of Post-Soviet Literature Alexander Genis PART IV: CONCEPTUALISM Chapter 19. The New Model of Discourse in Post-Soviet Fiction: Liudmila Petrushevskaia and Tatiana Tolstaia Slobodanka Vladiv-Glover Chapter 20. Heterogeneity and the Post-Avant-Garde: The Excremental Poetics of Vladimir Sorokin Slobodanka Vladiv-Glover Chapter 21. Emptiness as Technique: Word and Image in Ilya Kabakov Mikhail Epstein Chapter 22. The Philosophical Implications of Russian Conceptualism Mikhail Epstein PART V: POSTMODERNISM AND SPIRITUALITY Chapter 23. Post-Atheism: From Apophatic Theology to "Minimal Religion" Mikhail Epstein Chapter 24. Onions and Cabbages: Paradigms of Contemporary Culture Alexander Genis Chapter 25. The Charms of Entropy and New Sentimentality Mikhail Epstein Conclusion: On the Place of Postmodernism in Postmodernity Mikhail Epstein Select Bibliography Index of Names Index of Subjects
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