Clare's Lyric examines John Clare's lyric poems and their impact on the work of three twentieth-century poets--Arthur Symons, Edmund Blunden, and John Ashbery.
Clare's Lyric examines John Clare's lyric poems and their impact on the work of three twentieth-century poets--Arthur Symons, Edmund Blunden, and John Ashbery.
Stephanie Kuduk Weiner teaches British literature in the English Department at Wesleyan University in Middletown, Connecticut, USA. She received her undergraduate degree in English and Women's Studies from the University of Minnesota, and her doctorate in Modern Thought and Literature from Stanford University. Her first book was Republican Politics and English Poetry, 1789-1874 (Palgrave Macmillan, 2005). She has written widely about Romantic and Victorian British poetry, including the work of Ernest Dowson, Arthur Hugh Clough, Algernon Swinburne, William Blake, and John Clare. She is an enthusiastic gardener, backyard birder, and long-distance walker.
Inhaltsangabe
Introduction Part I: Clare's lyric technique 1: Sound, language, and the lyric subject in the middle period poems 2: Form and structure: the sonnets 3: Representing absence: time, place, and the language of poetry in the asylum poems Part II: Clare's lyric in the twentieth century 4: Arthur Symons: mimesis after aestheticism 5: Edmund Blunden: no man's land 6: John Ashbery: an impossible calque of reality
Introduction Part I: Clare's lyric technique 1: Sound, language, and the lyric subject in the middle period poems 2: Form and structure: the sonnets 3: Representing absence: time, place, and the language of poetry in the asylum poems Part II: Clare's lyric in the twentieth century 4: Arthur Symons: mimesis after aestheticism 5: Edmund Blunden: no man's land 6: John Ashbery: an impossible calque of reality
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