Stephen J. Ross examines the concept of nature in the work of John Ashbery. Through close readings of Ashbery's poetry and critical prose, he reveals Ashbery's work to be a case study of the dramatic transformation of nature in art and literature since World War II.
Stephen J. Ross examines the concept of nature in the work of John Ashbery. Through close readings of Ashbery's poetry and critical prose, he reveals Ashbery's work to be a case study of the dramatic transformation of nature in art and literature since World War II.
Dr Stephen J. Ross earned his doctorate from the University of Oxford in 2013. He is an Assistant Professor at Concordia University in Montreal, and from 2013-15 he was a Teaching Fellow in American Literature at the University of Warwick. He is co-editor of the forthcoming anthology, Global Modernists on Modernism (Bloomsbury Press), and is collaborating on the first complete translation and critical edition of Processions, the poetic masterpiece of the Yiddish American modernist Mikhl Likht. He publishes essays and reviews on modern and contemporary literature, and is a founding editor of the literary web-journal Wave Composition.
Inhaltsangabe
Introduction 1: The Invisible Avant-Garde: Nature, New Realism, and Ashbery's France 2: The Delta of Living into Everything: Ashbery's Riverine Poetics 3: A Language That Is Ever Green: Ashbery's Pastoral 4: Out of the Endless Bathos: Ashbery's 'Bad' Nature Poetry 5: The Season Is Stalled: Ashbery's Changing Climate Bibliography Index
Introduction 1: The Invisible Avant-Garde: Nature, New Realism, and Ashbery's France 2: The Delta of Living into Everything: Ashbery's Riverine Poetics 3: A Language That Is Ever Green: Ashbery's Pastoral 4: Out of the Endless Bathos: Ashbery's 'Bad' Nature Poetry 5: The Season Is Stalled: Ashbery's Changing Climate Bibliography Index
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