"An original and important book relevant to current general interests in literary theory and the problems of interpretation as well as to Pinter scholarship and criticism. Merritt has produced a work of 'metacriticism' that I would expect to remain of permanent value. Her knowledge of Pinter scripts, performances of them, and of Pinter critics and reviewers is vast, and parallel to her demonstrations of changes in critical strategies and perspectives, she evokes a sense of the changes Pinter has gone through as a playwright."--Michael Steig, Simon Fraser University
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.