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This book compares selected novels of Theodor Fontane (1819-1898) with those of François Mauriac (1885-1970), breaking new ground by revealing the strong thematic parallels and certain stylistic affinities in the authors' presentations of female characters and society. It focuses on the female characters in Effi Briest (1895) and Thérèse Desqueyroux (1927) as victims of a rigid, yet degenerating patriarchal society, and on the women in Frau Jenny Treibel (1892) and Genitrix (1924) as possessive dominators. These presentations reveal the injustices and insufficiencies of a social system on the verge of decline, existent in both authors' fictive worlds.…mehr

Produktbeschreibung
This book compares selected novels of Theodor Fontane (1819-1898) with those of François Mauriac (1885-1970), breaking new ground by revealing the strong thematic parallels and certain stylistic affinities in the authors' presentations of female characters and society. It focuses on the female characters in Effi Briest (1895) and Thérèse Desqueyroux (1927) as victims of a rigid, yet degenerating patriarchal society, and on the women in Frau Jenny Treibel (1892) and Genitrix (1924) as possessive dominators. These presentations reveal the injustices and insufficiencies of a social system on the verge of decline, existent in both authors' fictive worlds.
Autorenporträt
The Author: Susan Wansink is Assistant Professor of Foreign Languages and Literatures at Virginia Wesleyan College. She received her Ph.D. in German literature with related studies in French literature from Purdue University. Among her publications are articles in professional journals on German literature and the transformation of literature into film.
Rezensionen
"Susan Wansink's book is valuable for all scholars of French and German literature, but is especially important for those who study the continental novel. In her analysis, the author contrasts and compares the female characters - some portrayed as victims, others as oppressors - in the fictive works of Theodor Fontane and François Mauriac." (Christine E. Keck, Purdue University)