This book explores several critical connections between Black African objects and white Western aesthetics and artwork in the United States from the late 1800s until 1939.
This book explores several critical connections between Black African objects and white Western aesthetics and artwork in the United States from the late 1800s until 1939.
The author is an independent interdisciplinary scholar of philosophy, race, history, sociology, and culture.
Inhaltsangabe
1.The Enlightenment and White Supremacy 2.Objects, Sensation, Truth 3.Black African Aesthetics 4.Appropriating Black Africa 5.Black African Art? 6.Collecting Black Africa, Exhibiting White Supremacy 7.Ancestral Contact: Victorian Phantasmagoria, Artists, and Black Africa 8.Diasporic Nostalgia: The Harlem Renaissance and Black African Objects 9.Blackness after the Renaissance 10.Twenty-First-Century Colonialism
1.The Enlightenment and White Supremacy 2.Objects, Sensation, Truth 3.Black African Aesthetics 4.Appropriating Black Africa 5.Black African Art? 6.Collecting Black Africa, Exhibiting White Supremacy 7.Ancestral Contact: Victorian Phantasmagoria, Artists, and Black Africa 8.Diasporic Nostalgia: The Harlem Renaissance and Black African Objects 9.Blackness after the Renaissance 10.Twenty-First-Century Colonialism
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