This book examines the creative process of the Bee Gees and the latent elements that shaped their sound. It is a must-read book for music production academics and students, as well as anyone interested in the Bee Gees' creative process.
This book examines the creative process of the Bee Gees and the latent elements that shaped their sound. It is a must-read book for music production academics and students, as well as anyone interested in the Bee Gees' creative process.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pat O'Grady is a contemporary music researcher, educator, and practitioner, specializing in music production. He is a lecturer in music technology at the Australian National University. He has two decades of professional experience in producing and performing contemporary music. He is the current treasurer of the Australian/New Zealand branch of the International Association for the Study of Popular Music.
Inhaltsangabe
Preface Introduction 1 'Spicks and Specks:' Finding Latent Elements in Music Production 2 'New York Mining Disaster 1941:' Reverb and Space as Latent Elements in Music Production 3 'How Can You Mend A Broken Heart': Meaning as a Latent Element in Music Production 4 'Jive Talkin:' Place as a Latent Element in Music Production 5 'Stayin' Alive': Looping as a Latent Element in Music Production 6 'Tragedy': Nonsense Lyrics as a Latent Element of Music Production 7 'Guilty': Vocality as a Latent Element in Music Production 8 'You Win Again': Composite Layering as Latent Elements in Music Production 9 'Still Waters Run Deep:' Guitar Tunings and Voicings as Latent Elements in Music Production Conclusions: Future Directions for Studying Latent Elements in Music Production Bibliography Discography Index
Preface Introduction 1 'Spicks and Specks:' Finding Latent Elements in Music Production 2 'New York Mining Disaster 1941:' Reverb and Space as Latent Elements in Music Production 3 'How Can You Mend A Broken Heart': Meaning as a Latent Element in Music Production 4 'Jive Talkin:' Place as a Latent Element in Music Production 5 'Stayin' Alive': Looping as a Latent Element in Music Production 6 'Tragedy': Nonsense Lyrics as a Latent Element of Music Production 7 'Guilty': Vocality as a Latent Element in Music Production 8 'You Win Again': Composite Layering as Latent Elements in Music Production 9 'Still Waters Run Deep:' Guitar Tunings and Voicings as Latent Elements in Music Production Conclusions: Future Directions for Studying Latent Elements in Music Production Bibliography Discography Index
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