At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations.
At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations.
Patrizia Di Bello is lecturer in the history and theory of photography at Birkbeck College, University of London, UK.
Inhaltsangabe
Contents: Introduction The family album, the feminine and the personal 19th-century album culture Photographs, albums, women's magazines Melancholic portrait gazers Photographs, fun and flirtations Photography, vision and touch Bibliography Index.
Contents: Introduction The family album, the feminine and the personal 19th-century album culture Photographs, albums, women's magazines Melancholic portrait gazers Photographs, fun and flirtations Photography, vision and touch Bibliography Index.
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