Working Girls offers a cultural history of the women of the Parisian garment trades as read by French entertainment and popular culture, labour reformers, and the women themselves, bridging the divide between the cultural history of the Parisian imaginary and the history of the French working classes and national identity.
Working Girls offers a cultural history of the women of the Parisian garment trades as read by French entertainment and popular culture, labour reformers, and the women themselves, bridging the divide between the cultural history of the Parisian imaginary and the history of the French working classes and national identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patricia Tilburg is James B. Duke Professor of History and Gender & Sexuality Studies at Davidson College. She is the author of Colette's Republic: Work, Gender, and Popular Culture in France, 1870-1914 (2009).
Inhaltsangabe
* Introduction * 1: From Grisette to Midinette: The Garment Worker in French Popular Culture * 2: 'Without Rival': Workingwomen, Regulation, and Taste in the belle époque Garment Industry * 3: 'Notre Petite Amie': Charpentier's Oeuvre de Mimi Pinson, 1900-1914 * 4: 'An Appetite to Be Pretty': Garment workers, lunch reform, and the Parisian picturesque in the belle époque * 5: 'They are nothing but birdbrains!': The Midinette on strike, 1901-1919 * 6: Mimi Pinson Goes to War: Sex, Taste, and the Patrie, 1914-1918 * Conclusion
* Introduction * 1: From Grisette to Midinette: The Garment Worker in French Popular Culture * 2: 'Without Rival': Workingwomen, Regulation, and Taste in the belle époque Garment Industry * 3: 'Notre Petite Amie': Charpentier's Oeuvre de Mimi Pinson, 1900-1914 * 4: 'An Appetite to Be Pretty': Garment workers, lunch reform, and the Parisian picturesque in the belle époque * 5: 'They are nothing but birdbrains!': The Midinette on strike, 1901-1919 * 6: Mimi Pinson Goes to War: Sex, Taste, and the Patrie, 1914-1918 * Conclusion
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