The Rules That Set Us Free: Adolph Bernhard Marx As Theorist, Thinker and Critic - Uribe, Patrick Wood
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Adolph Bernhard Marx (1795-1866) may be the single most influential music theorist before Heinrich Schenker; he is also among the least understood. Although he is chiefly known today as the first to codify the elements of sonata form, his four-volume Lehre von der musikalischen Komposition, praktisch-theoretish (1838-47) covered a wide range of subjects and was of enormous impact. But a full understanding of Marx's influence has been hampered by misinterpretation, often itself the result of mistranslation. Patrick Wood Uribe here offers close readings of Marx's writing as a corrective to these…mehr

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Produktbeschreibung
Adolph Bernhard Marx (1795-1866) may be the single most influential music theorist before Heinrich Schenker; he is also among the least understood. Although he is chiefly known today as the first to codify the elements of sonata form, his four-volume Lehre von der musikalischen Komposition, praktisch-theoretish (1838-47) covered a wide range of subjects and was of enormous impact. But a full understanding of Marx's influence has been hampered by misinterpretation, often itself the result of mistranslation. Patrick Wood Uribe here offers close readings of Marx's writing as a corrective to these misapprehensions and re-evaluates the assumptions resting on previous readings.
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Autorenporträt
Patrick Wood Uribe is Assistant Professor of Music at Boston University. He received a PhD in Musicology from Princeton University, where he held the Roy D. Welch Fellowship in Musicology, and a Whiting Fellowship in the Humanities for 2010-11. He also holds degrees in violin performance from the Royal Academy of Music in London, and in Modern Languages from Oxford University.