Contributors to this collection argue for the importance of academic drama as a site of cultural production in England from 1500 to 1700. They explore how these plays address various aspects of culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.
Contributors to this collection argue for the importance of academic drama as a site of cultural production in England from 1500 to 1700. They explore how these plays address various aspects of culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.
Jonathan Walker is Assistant Professor of English at Portland State University, USA. Paul D. Streufert is Associate Professor of Literature and Languages at the University of Texas at Tyler, USA
Inhaltsangabe
Contents: Introduction, Jonathan Walker; Gown before crown: scholarly abjection and academic entertainment under Queen Elizabeth I, Linda Shenk; Christopherson at Cambridge: Greco-Catholic ethics in the Protestant university, Paul D. Streufert; The spectre of the shrew and the lash of the rod: gendering pedagogy in The Disobedient Child, Ursula Potter; The government of performance: Ignoramus and the micropolitics of tutor-student relations, Emily D. Bryan; Theatrical experiment and the production of knowledge in the Gray's Inn Revels, Eric Leonidas; Fantastical distempers: the psychopathology of early modern scholars, Sarah Knight; Cambridge at sea: Byrsa Basilica and the commercialization of Knowledge, Helen Higbee; Drama in the academies of early America, Odai Johnson; Collected Bibliography; Index.
Contents: Introduction, Jonathan Walker; Gown before crown: scholarly abjection and academic entertainment under Queen Elizabeth I, Linda Shenk; Christopherson at Cambridge: Greco-Catholic ethics in the Protestant university, Paul D. Streufert; The spectre of the shrew and the lash of the rod: gendering pedagogy in The Disobedient Child, Ursula Potter; The government of performance: Ignoramus and the micropolitics of tutor-student relations, Emily D. Bryan; Theatrical experiment and the production of knowledge in the Gray's Inn Revels, Eric Leonidas; Fantastical distempers: the psychopathology of early modern scholars, Sarah Knight; Cambridge at sea: Byrsa Basilica and the commercialization of Knowledge, Helen Higbee; Drama in the academies of early America, Odai Johnson; Collected Bibliography; Index.
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