The Poetry Circuit examines the creative impact that public reading had on twentieth-century poetry. Peter Howarth shows how the post-war reading boom made new kinds of poetry, involving their audience and setting in the performance.
The Poetry Circuit examines the creative impact that public reading had on twentieth-century poetry. Peter Howarth shows how the post-war reading boom made new kinds of poetry, involving their audience and setting in the performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Howarth teaches at Queen Mary, University of London. He is the author of British Poetry in the Age of Modernism (2006), The Cambridge Introduction to Modernist Poetry (2011), and co-editor of The Cambridge Companion to the Sonnet (2012). A National Teaching Fellow, he is a frequent contributor to the London Review of Books. He is currently an AHRC RDE Fellow researching the history and practice of festivals.
Inhaltsangabe
Introduction 1: The Modernist Reading 2: Projective and Receptive Verse 3: Langston Hughes Belongs to Everybody 4: The Impersonal Poet Reads in Person 5: Marianne Moore's Performances 6: Poets' Theatre 7: Confession, Protest, and Apocalypse Select Bibliography Index
Introduction 1: The Modernist Reading 2: Projective and Receptive Verse 3: Langston Hughes Belongs to Everybody 4: The Impersonal Poet Reads in Person 5: Marianne Moore's Performances 6: Poets' Theatre 7: Confession, Protest, and Apocalypse Select Bibliography Index
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