Performer and researcher Peter O'Hagan studies the musical style of Pierre Boulez during his final creative period, by means of a detailed consideration of the ensemble work sur Incises, which stands at the heart of Boulez's later output.
Performer and researcher Peter O'Hagan studies the musical style of Pierre Boulez during his final creative period, by means of a detailed consideration of the ensemble work sur Incises, which stands at the heart of Boulez's later output.
Peter O'Hagan is a pianist and writer specialising in contemporary music. He is editor of British Music of the 1990s (Ashgate 2003), co-editor of Boulez Studies (2016) and author of Pierre Boulez and the Piano (Routledge 2016).
Inhaltsangabe
PART 1 Pierre Boulez and Paul Sacher 1. Mein Lieber Pierre ... Cher Paul 2. The cipher at play 3. Spirals PART 2 The culmination of a friendship 4. Derivations and Fragments 5. To Paul Sacher on the occasion of his ninetieth birthday 6. primus inter pares? 7. Variations and reminiscences 8. A coda - and a codetta 9. Imagine... a blank page Appendix: Interview with Dimitri Vassilakis
PART 1 Pierre Boulez and Paul Sacher 1. Mein Lieber Pierre ... Cher Paul 2. The cipher at play 3. Spirals PART 2 The culmination of a friendship 4. Derivations and Fragments 5. To Paul Sacher on the occasion of his ninetieth birthday 6. primus inter pares? 7. Variations and reminiscences 8. A coda - and a codetta 9. Imagine... a blank page Appendix: Interview with Dimitri Vassilakis
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