"Saraha's spontaneous songs, or dohas, contain the special instructions of a guru, whose qualities of realization can then directly enter the heart of devoted disciples. These songs represent the rare perfection of the Buddhist art of expressing the inexpressible, and they can trigger a mind-to-mind transmission that some take to have the power of directly pointing out the true nature of mind. Saraha's dohas are quoted fairly often in Indic materials, which points to the fact that he was indeed an influential authority. The dohas are the most distinctive literary expression of a class of…mehr
"Saraha's spontaneous songs, or dohas, contain the special instructions of a guru, whose qualities of realization can then directly enter the heart of devoted disciples. These songs represent the rare perfection of the Buddhist art of expressing the inexpressible, and they can trigger a mind-to-mind transmission that some take to have the power of directly pointing out the true nature of mind. Saraha's dohas are quoted fairly often in Indic materials, which points to the fact that he was indeed an influential authority. The dohas are the most distinctive literary expression of a class of tantric Buddhist masters called siddhas, hailed by tradition as beings of exceptional spiritual realization. Essentially, these are gnomic verses; composed not just in the doha meter proper using a kind of literary Middle Indic called Apabhramsa, they also purportedly convey a high degree of mystical insight and were transmitted in collections. The "text" (already a tricky term) of Saraha's Spontaneous Songs has not yet been available in full, nor has it been stabilized to any degree of satisfaction. The discovery of two hitherto-overlooked manuscripts has helped to fill in the gaps. In fact, the present volume is the first in over six decades to bring to light new original material"--
Klaus-Dieter Mathes is a professor of Buddhist studies at the University of Hong Kong and was previously the head of the Department of South Asian, Tibetan and Buddhist Studies at the University of Vienna. His current research deals with exclusivism, inclusivism, and tolerance in Mahayana Buddhism. He obtained a Ph.D. from Marburg University and completed his habilitation at Hamburg University. His major publications include a study of the Yogacara text Dharmadharmatavibhaga (published in 1996 in the Indica et Tibetica series), A Direct Path to the Buddha Within: Gö Lotsawa’s Mahamudra Interpretation of the Ratnagotravibhaga, and Maitripa: India’s Yogi of Nondual Bliss. Péter-Dániel Szántó started his studies at ELTE Budapest (Tibetology, Indology). He read for a DPhil in Oxford, where he also held two junior research fellowships (Merton College, All Souls College). He also worked as a postdoc in Hamburg and Leiden and was visiting professor at Leiden and Vienna. He is currently associate professor at ELTE Budapest, where he is also head of the Department of Tibetan and Buddhist Studies. His main research areas include esoteric Buddhism, Mahayana Buddhism, Sanskrit belles-lettres, and medieval South Asian history.
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