Philosophical Perspective on Cinema addresses the relationship between human existence and sensual reality. Applying metaphysical/existential reflection to cinema, the author explores the philosophical clarity that cinema can offer reflective persons about the human experience.
Philosophical Perspective on Cinema addresses the relationship between human existence and sensual reality. Applying metaphysical/existential reflection to cinema, the author explores the philosophical clarity that cinema can offer reflective persons about the human experience.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Metaphysical/Existential Reflection Seeking Qualitative Essences in Cinema Chapter 1: 2001: An Existential Odyssey Chapter 2: Andrei Tarkovsky: Truth Endorsed by Life Chapter 3: Fahrenheit 451: A Brave New World for the New Man Chapter 4: Citizen Kane: Biography and the Unfinished Sentence Chapter 5: Treasure of the Sierra Madre, or Socrates in the Desert Chapter 6: Jean Pierre Melville: Encounters with Conscience Chapter 7: Seven Thieves: Making the World Gasp Chapter 8: Curse of the Demon: Of Evil, Myth and Reason Chapter 9: The Uninvited and Dead of Night: The Ominous Other Chapter 10: Jacques Tati: Last Bastion of Innocence in Modernity Conclusion
Introduction: Metaphysical/Existential Reflection Seeking Qualitative Essences in Cinema Chapter 1: 2001: An Existential Odyssey Chapter 2: Andrei Tarkovsky: Truth Endorsed by Life Chapter 3: Fahrenheit 451: A Brave New World for the New Man Chapter 4: Citizen Kane: Biography and the Unfinished Sentence Chapter 5: Treasure of the Sierra Madre, or Socrates in the Desert Chapter 6: Jean Pierre Melville: Encounters with Conscience Chapter 7: Seven Thieves: Making the World Gasp Chapter 8: Curse of the Demon: Of Evil, Myth and Reason Chapter 9: The Uninvited and Dead of Night: The Ominous Other Chapter 10: Jacques Tati: Last Bastion of Innocence in Modernity Conclusion
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