Explores and develops a theory of Swedish Marxist Noir. In order to expose the dialectics of crime fiction, going from then (the American 1930s) to now (the Swedish post-1990s), we must explore, through a Marxist reading of several central works of crime fiction, the Marxist connection between the writings of Raymond Chandler and the Swedish wave of crime fiction since the 1960s.
Explores and develops a theory of Swedish Marxist Noir. In order to expose the dialectics of crime fiction, going from then (the American 1930s) to now (the Swedish post-1990s), we must explore, through a Marxist reading of several central works of crime fiction, the Marxist connection between the writings of Raymond Chandler and the Swedish wave of crime fiction since the 1960s.
Journalist Per Hellgren is a contributor to Clues: A Journal of Detection. He lives in Strangnas, Sweden.
Inhaltsangabe
Table of Contents Acknowledgments Preface Introduction: Marxist Noir at the Gates 1. A World Gone Wrong: Raymond Chandler 2. The Accord: Per Wahlöö and Sjöwall-Wahlöö 3. The Fall from Grace: Henning Mankell 4. The Collapsed Dream: Stieg Larsson 5. Excavating the Swedish Underbelly: Roslund & Hellström 6. A Brave New Sweden: Jens Lapidus 7. Sleuths of the Post-Political Condition: Arne Dahl 8. The Age of the Manhunter: Lars Kepler Conclusion: The Dialectics of Crime Fiction Chapter Notes Works Cited Index
Table of Contents Acknowledgments Preface Introduction: Marxist Noir at the Gates 1. A World Gone Wrong: Raymond Chandler 2. The Accord: Per Wahlöö and Sjöwall-Wahlöö 3. The Fall from Grace: Henning Mankell 4. The Collapsed Dream: Stieg Larsson 5. Excavating the Swedish Underbelly: Roslund & Hellström 6. A Brave New Sweden: Jens Lapidus 7. Sleuths of the Post-Political Condition: Arne Dahl 8. The Age of the Manhunter: Lars Kepler Conclusion: The Dialectics of Crime Fiction Chapter Notes Works Cited Index
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