Stuart Women Playwrights, 1613-1713 examines English women writers' tragedies and tragicomedies in the seventeenth century. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's plays. The study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
Stuart Women Playwrights, 1613-1713 examines English women writers' tragedies and tragicomedies in the seventeenth century. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's plays. The study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
Pilar Cuder-DomÃnguez is Senior Lecturer in English Studies at the University of Huelva, Spain
Inhaltsangabe
Chapter 1 Re-Crafting Tragedy: Gender and Genre in Seventeenth-Century Drama Chapter 2 Early Stuart Women Writers: Elizabeth Cary Chapter 3 The Interregnum: Margaret Cavendish's Dramatic Experiments Chapter 4 The Restoration Commercial Stage: Frances Boothby and Aphra Behn Chapter 5 Late Stuart Writers I: Mary Pix and Delarivier Manley Chapter 6 Late Stuart Writers II: Catharine Trotter and the Historical Tragedy Chapter 7 The Last of the Stuarts: Jane Wiseman and Anne Finch
Chapter 1 Re-Crafting Tragedy: Gender and Genre in Seventeenth-Century Drama Chapter 2 Early Stuart Women Writers: Elizabeth Cary Chapter 3 The Interregnum: Margaret Cavendish's Dramatic Experiments Chapter 4 The Restoration Commercial Stage: Frances Boothby and Aphra Behn Chapter 5 Late Stuart Writers I: Mary Pix and Delarivier Manley Chapter 6 Late Stuart Writers II: Catharine Trotter and the Historical Tragedy Chapter 7 The Last of the Stuarts: Jane Wiseman and Anne Finch
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