"This book uncovers the changing artistic landscape of Poland between the 1920s and 1950s, through the work of Jewish-Polish painter and Holocaust survivor, Henryk Streng (Marek Wlodarski) (1903-1960). Extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism, Streng's work disrupted the established notions of 20th-century Polish art, while making the case for an internationalized history of European Modernism - as demonstrated by this book for the first time"--
"This book uncovers the changing artistic landscape of Poland between the 1920s and 1950s, through the work of Jewish-Polish painter and Holocaust survivor, Henryk Streng (Marek Wlodarski) (1903-1960). Extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism, Streng's work disrupted the established notions of 20th-century Polish art, while making the case for an internationalized history of European Modernism - as demonstrated by this book for the first time"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Piotr Slodkowski is Assistant Professor in the the Faculty of Artistic Research and Curatorial Studies, Academy of Fine Arts in Warsaw, Poland. He was curator of Henryk Streng/Marek Wlodarski and Jewish-Polish Modernism at the Museum of Modern Art, Warsaw. His research focuses on Polish interwar art and art after 1939, with special attention to complex relations between the Holocaust, modernism, "engaged" art and socialist realism. Eliza Rose is Assistant Professor and Laszlo Birinyi Sr. Fellow of Central European Studies at the University of North Carolina - Chapel Hill, USA, having received her Ph.D. in Slavic languages from Columbia University, USA. Her research on culture in state socialist Eastern Europe has been published in journals such as Slavic Review.
Inhaltsangabe
List of Illustrations Part I: Modernism 1. So far, so near: Streng's regional modernism 2. Where is modernism? From centers and peripheries to a network of localities Part II: Socially engaged art 3. Factorealism in fragments 4. Barricades and the margins of socialist realism in Poland Part III: Identity 5. Life and Work in Wartime 6. Streng/Wlodarski's Postwar Identity Conclusion: Back to the artists and their works Bibliography Index
List of Illustrations Part I: Modernism 1. So far, so near: Streng's regional modernism 2. Where is modernism? From centers and peripheries to a network of localities Part II: Socially engaged art 3. Factorealism in fragments 4. Barricades and the margins of socialist realism in Poland Part III: Identity 5. Life and Work in Wartime 6. Streng/Wlodarski's Postwar Identity Conclusion: Back to the artists and their works Bibliography Index
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