This book on Indian literature offers a critique of the aesthetics and politics of modernity as embodied in Indian bhasha literature of the past two centuries. It discusses the complex ways in which the bhasha imagination, even as it reshaped the history of colonial modernity, simultaneously allowed itself to be shaped by it in turn.
This book on Indian literature offers a critique of the aesthetics and politics of modernity as embodied in Indian bhasha literature of the past two centuries. It discusses the complex ways in which the bhasha imagination, even as it reshaped the history of colonial modernity, simultaneously allowed itself to be shaped by it in turn.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
PP Raveendran, bilingual critic and currently the Vaikom Muhammed Basheer Chair Visiting Professor at the University of Calicut, was formerly Professor and Director, School of Letters, Mahatma Gandhi University, Kottayam. He is the author of, among others, 'Texts Histories Geographies: Reading Indian Literature' (Orient BlackSwan, 2009), 'Kamala Das' (Sahitya Akademi, 2017), and the coedited volume, 'The Oxford India Anthology of Modern Malayalam Literature' (Oxford University Press, 2017). His work in Malayalam titled 'Adhunikatayude Pinnampuram' (The Backyard of Modernity, 2017) won the Kerala Sahitya Akademi Award for Literary Criticism for the year 2018.
Inhaltsangabe
SECTION I: HISTORICIZING BHASHA LITERATURE 1: Modernity and Indian Literature 2: The Everyday as Modernity 3: Print Capitalism and Modernity 4: The Literary Process and the Social Imaginary 5: Translation and Literary History 6: Decolonizing Translation 7: Bhasha Writing as World Literature SECTION II: BORDER-CROSSING BHASHA LITERATURE 8: Towards a Comparative Indian Literature 9: Realism in the Bhasha Novel: The Case of Paraja 10: Modernity and Kesari's Ambivalences 11: Region and Nation in Bhasha Poetry 12: The Bilingual Everyday in Bhasha Literature 13: Modernity and Literary Historiography 14: A Latin American Moment in Indian Fiction SECTION III: SIX WAYS OF BEING MODERN: READING A BHASHA CANON 15: M.T. Vasudevan Nair: Modernity as Expressive Realism 16: S.K. Pottekkat: Modernity as Social Fantasy 17: O.V. Vijayan: Modernity as Ideological Vision 18: Rajelakshmy: Modernity as Gender Trouble 19: Ayyappa Paniker: Modernity as Critical Humanism 20: Madhavikkutty: Modernity as Divided Self
SECTION I: HISTORICIZING BHASHA LITERATURE 1: Modernity and Indian Literature 2: The Everyday as Modernity 3: Print Capitalism and Modernity 4: The Literary Process and the Social Imaginary 5: Translation and Literary History 6: Decolonizing Translation 7: Bhasha Writing as World Literature SECTION II: BORDER-CROSSING BHASHA LITERATURE 8: Towards a Comparative Indian Literature 9: Realism in the Bhasha Novel: The Case of Paraja 10: Modernity and Kesari's Ambivalences 11: Region and Nation in Bhasha Poetry 12: The Bilingual Everyday in Bhasha Literature 13: Modernity and Literary Historiography 14: A Latin American Moment in Indian Fiction SECTION III: SIX WAYS OF BEING MODERN: READING A BHASHA CANON 15: M.T. Vasudevan Nair: Modernity as Expressive Realism 16: S.K. Pottekkat: Modernity as Social Fantasy 17: O.V. Vijayan: Modernity as Ideological Vision 18: Rajelakshmy: Modernity as Gender Trouble 19: Ayyappa Paniker: Modernity as Critical Humanism 20: Madhavikkutty: Modernity as Divided Self
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